Oxy Gen



Οχυγεν 
Occi Gen 
Octi Gen er at or
        Gene  ξ  Rator





In Greek mythologyPeleus (/ˈpliəs, ˈpljs/Ancient Greek: Πηλεύς Pēleus) was a hero, king of Phthia, husband of Thetis and the father of their son Achilles. This myth was already known to the hearers of Homer in the late 8th century BC.[2]

In Greek mythology Phthia (/ˈθə/Ancient GreekΦθία or Φθίη Phthía, Phthíē) was a city or district in ancient Thessaly.[1] It is frequently mentioned in Homer's Iliad as the home of the Myrmidons, the contingent led by Achilles in the Trojan War. It was founded by Aeacus, grandfather of Achilles, and was the home of Achilles' father Peleus, mother Thetis (a sea nymph), and son Neoptolemus (who reigned as king after the Trojan War).

Phthia is referenced in Plato's Crito, where Socrates, in jail and awaiting his execution, relates a dream he has had (43d–44b):[2] "I thought that a beautiful and comely woman dressed in white approached me. She called me and said: 'Socrates, may you arrive at fertile Phthia on the third day.'" The reference is to Homer's Iliad (ix.363), when Achilles, upset at having his war-prize, Briseis, taken by Agamemnon, rejects Agamemnon's conciliatory presents and threatens to set sail in the morning; he says that with good weather he might arrive on the third day "in fertile Phthia"—his home.[2]

In Greek mythologyPrometheus (/prəˈmθiəs/Ancient GreekΠρομηθεύς[promɛːtʰéu̯s], meaning "forethought")[1] is a goοd of fire.[2] Prometheus is best known for de-if-ying the Olympian goοds by taking fire from them and giving φιρε to humanity 

in the forms of technology, knowledge and, more generally, civil~is~at~ion.

In some versions of the meth, as he is also known He is credited with

 T-He creation of humanity from clay.[3] 

Pi-rho-omichron-mu-eta

Theta epsilon ypsilon sigma

Θετα Eεψιλον Yuψιλον Φιγαμμα

Spinning lines of everything

in every direction where He is

the Mu that mus for her

 Epimetheus (/ɛpɪˈmθiəs/Ancient GreekἘπιμηθεύςlit.'afterthought')[1] is the brother of Prometheus, the pair serving "as representatives of mankind".[2] Both sons of the Titan Iapetus,[3] while Prometheus ("foresight") is ingeniously clever, Epimetheus ("hindsight") is inept and foolish. In some accounts of the myth, Epimetheus unleashes the unforeseen troubles in Pandora's box.

Επσιλον Πι Ιοτα Μμ ηΗετα Θετα επσιλον Υυπσιλον Σιγμα

Pro me the us screwing us in from the outside

Epi me the us screwing us out from the inside

Two forms of PSI using

pHi as the lever

for form

th

as

Θ


Prometheus is known for his intelligence and for being a champion of mankind[4] and is also generally seen as the author of the human arts and sciences.[5] He is sometimes presented as the father of Deucalion, the hero of the flood story.[6][7][8]

The punishment of Prometheus for stealing fire from Olympus and giving it to humans is a subject of both ancient and modern cultureZeus, king of the Olympian gods, condemned Prometheus to eternal torment for his transgression. Prometheus was bound to a rock, and an eagle — the emblem of Zeus — was sent to eat his liver (in ancient Greece, the liver was thought to be the seat of human emotions). His liver would then grow back overnight, only to be eaten again the next day in an ongoing cycle. According to several major versions of the myth, most notably that of Hesiod, Prometheus was eventually freed by the hero Heracles.[9][10] The struggle of Prometheus is located by some at Mount Elbrus or at Mount Kazbek, two volcanic promontories in the Caucasus Mountains beyond which for the ancient Greeks lay the realm of the barbari.[11]

In another myth, Prometheus establishes the form of animal sacrifice practiced in ancient Greek religion.[12] Evidence of a cult to Prometheus himself is not widespread. He was a focus of religious activity mainly at Athens, where he was linked to Athena and Hephaestus, who were the Greek deities of creative skills and technology.[13][14]

the wedding of Thetis Θετισ and Peleus was celebrated on Mount Pelion, outside the cave of Chiron, and attended by the deities: there they celebrated the marriage with feasting. Apollo played the lyre and the Muses sang, Pindar claimed. At the wedding Chiron gave Peleus an ashen spear that had been polished by Athena and had a blade forged by Hephaestus.

According to Homer, Hephaestus built automatons of metal to work for him or others. This included tripods with golden wheels, able to move at his wish in and out the assembly hall of the celestials;[15] and "handmaidens wrought of gold in the semblance of living maids", who had "understanding in their hearts, and speech and strength", as a gift of the gods. They moved to support Hephaestus while walking.[16] And he put golden and silver lions and dogs at the entrance of the palace of Alkinoos in such a way that they could bite the invaders; these guard dogs didn't age nor perish.[17]

A similar golden dog (Κυων Χρυσεος) was set by Rhea to guard the infant Zeus and his nurse, the goat Amaltheia, on the island of Krete. Later Tantalus was said to have stolen the automaton when it guarded Zeus's temple, or to have persuaded Pandareos to steal it for him. Later texts attempt to replace the automaton with the idea that the golden dog was actually Rhea, transformed by Hephaestus.[18]

 While the Olympian goddesses brought him gifts: from Aphrodite, a bowl with an embossed Eros, from Hera a chlamys while from Athena a flute. His father-in-law Nereus endowed him a basket of the salt called 'divine', which has an irresistible virtue for overeating, appetite and digestion, explaining the expression 'she poured the divine salt'. Zeus then bestowed the wings of Arce to the newly-wed couple which was later given by Thetis to her son, Achilles. Furthermore, the god of the sea, Poseidon gave Peleus the immortal horses, Balius and Xanthus.[10] Eris, the goddess of discord, had not been invited, however, and in spite, she threw a golden apple into the midst of the goddesses that was to be awarded only "to the fairest." In most interpretations, the award was made during the Judgement of Paris and eventually occasioned the Trojan War.

Thetis dips Achilles in the Styx by Peter Paul Rubens (between 1630 and 1635)

As is recounted in the Argonautica, written by the Hellenistic poet Apollonius of Rhodes, Thetis, in an attempt to make her son Achilles immortal, would burn away his mortality in a fire at night and during the day, she would anoint the child with ambrosia. When Peleus caught her searing the baby, he let out a cry.

Thetis heard him, and catching up the child threw him screaming to the ground, and she like a breath of wind passed swiftly from the hall as a dream and leapt into the sea, exceeding angry, and thereafter returned never again.

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